The sky is low and faded indigo. In the street, a woman shuffles, the hem of her skirt dragging on cobblestones. She punctuates each heel with the tip of her parasol and Ellis pulls back, leaning into the wall, her fingers wrapped in a curtain fold.
“Marjorie,” Ashbel says over her shoulder. “She lives,” and the woman stops at a black door, “there.”
Ellis lets out a breath she didn’t realize she was holding and shifts her weight to her other foot.
“It’s all right. The law is different here.”
“Is it Basil?” The curtain sags as her grip releases.
“It’s like Basil. Marth is -”
There are Contigency officers who float down the arteries, fingers wrapped as claws around the hook of parasol handles. Beaked and beady eyes. They are silent, save the waves.
They are followed by the Seek.
It is not sunlight, but it is the same gold.
“it is too late for him,” Ashbel says and it’s a moment before Ellis realizes Ashbel’s hand is on her shoulder, soft comfort.
“he was Basil’s, once. More years ago than you are old. The previous Alice, Zilla, brought the officers in, but it was Marth who made them as they are. The Seventh Tip was a gift from Basil when he and Marth finally parted. Basil has never forgiven himself.”
Basil. Marth. Ashbel, Allaster. They all wear the same band and look at each other in the very same way.
“He traded up.” Ellis ventures. Wonders of wick-lamps and reworks and the gloom and what the Seventh Tip might have looked like in the time before she was born.
“We like to think so.” Ashbel answers in a whisper. “Vafi came here once when he was nine. We’re not sure how, exactly. We’ve inquired of the Queen and he denies all knowledge.
Ellis lets out a sound, disbelief or other things.
“Hrm,” Ashbel agrees, or at least it sounds like agreement.
“Do you -”
“You’d need to find the Vendors.” Ashbel says, cutting her off.
“The market?”
He shakes his head. “Not the merchants, the _Vendors_. The Chronos. A man named Beazle, he makes clocks.”
Time. The Vendors. There are stories of the Chronos. There were stories of the Alice.
“Why?” But Ellis already knows.
“This,” Ashbel says, shifting. Says as he reaches and wraps a hand around her right wrist and pushes the fabric up to her elbow, revealing her scars. Each and every whorl and turn.
“He said I knew him.” Basil. Said as Ashbel holds her there and the both of them look to the damage done to her by the doctors of Digbeh Hill.
“You had to.” Know him. “You have the same marks.”
The same scars. She can feel them under the pads of her fingers. See the trace and wicked line of cut and healed skin.
Vafi, lying on the foodStore floor. Silent and still warm.
“He was murdered.” Ellis says, and it is certain and offers no room for argument.
“We know,” Ashbel says. “There’s a house, two doors from Marjorie’s. It is small, and the staircase is winding. There is a rat that will not leave and the pigeons nest on the balcony and they won’t go either.
It is yours, if you’d like it.”
A house. With a rat and birds and winding staircase.
“The walls are hung with striped paper. I’ll help you take it down.”
A house. With a rat and birds and winding staircases and striped paper.
“And the Vendors?”
“You’d have to leave the honey dust.”
Ellis knows what he is saying. That he and Allaster and Basil would waver and fade and Spring would be here and she would be gone and the little house with the rats and birds and winding staircase and striped paper would be as this all is, some memory, some dream.
-Ellis, Underground (written by your hostess.)

This is Above, it’s my friend 